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Reviewing: The Bosom and the Pool. Back in the late '60s and early '70s, being musically eclectic in rock & roll was considered a positive thing, not a kiss of death in a tightly-formatted pop scene. That sort of artistic courage, and its later commercial acceptance, had much to do with the groundbreaking work of the Beatles. None of the tunes on this CD sound alike. Yet from the hyperkinetic jazzy instrumental "Come On" to the chamber pop of "Until" to the Gospel-flavored "The Ramblin' Toss," it never feels as if Christensen has lost control of the wheel. He's completely in command, and he'll have you in the palm of his hands. Harrington, Adam. "Reviewing: The Bosom and the Pool." Whisperin & Hollerin © www.feeldesign.co.uk 2002 - 2007 1. 16 January 2007 <http://www.whisperinandhollerin.com/reviews/review.asp?id=4459>.
Dave Christensen - The Bosom and the Pool Of grand projects, it is sometimes said “ Rome was not built in a day” - a truism to explain that many things worth doing are worth doing right and that takes time. If ever there was a posterboy for taking your time and doing it right, it would be Dave Christensen. With the release of his solo album, The Bosom and the Pool this month, Christensen completes a journey of creativity and discovery that began over two years ago. Dave explained in a recent interview how the conception of the project was the result of a different birth. “The impetus for the album was that (my son) Terrapin was born and so no music was possible,” he explained. Being a busy live musician, a child just did not fit into a lifestyle that required late nights in smokey bar rooms. He needed a goal, an outlet for the music that was in him. He had songs. He had ideas for a concept record. “I thought if I can take the time to get this down on tape I could be happy,” he relates, “If I could get one good record then I could be happy with being a teacher and a father and not be a professional musician.” The funny thing is that babies rather quickly become toddlers and then actual little people, and when you’re as good a player as Christensen, good gigs come along too. Two years after “giving up” being a professional musician, he’s busier than ever. “Two years later it’s all I do!” he jokes. The concept for the album actually started five years ago when Christensen found himself at a time in life when many were pairing up and starting families. “I wanted to chronicle a sort of self-help record, tongue in cheek, for people when they find themselves as parents. I wanted to show them that it is not as grim as it seems.” The resulting CD does have the story arc of a greater journey, not only the autobiographical journey of the writer but also the long road of the recording project itself. “Some of the songs are ten years old,” Christensen notes explaining how some of the first tracks are new recordings of songs he wrote in another place at a completely different time in his life. The album progresses in a path parallel to Chistensen’s changing life with all its challenges and discoveries. “It follows the search for success, meaning, love, finding love and contentment and finally a kind of spiritual peace through self reflection.” he explains. Conceptual concerns aside, The Bosom and the Pool, “an album so big it has two title tracks,” jokes Christensen, is a great collection of songs in a variety styles suiting Christensen’s funky keyboard and organ chops. Blues, jazz, funk, reggae, and New Orleans second line share space and sometimes slow dance together or at least share a drink at the bar in the funky club in Dave’s head where you get to hear all these styles from the house band. And what a house band! That’s kind of joke considering that in addition to Christensen’s vocals, Hammond organ, Wurlitzer electric piano, Honer clavinet, acoustic piano, accordion, trombone, and percussion, the album features 37 guest players. “It also ended up being a portrait of the local music scene,” notes Christensen. Which is pretty cool. The only place you are ever gonna hear this band is on this record. Without taking time to list everyone who contributed, Tim Knautz provided the basses and Joe Caploe covered a lot of the drums and percussion duties. Guitars were contributed by Andy Steil, Rob Bochnik, Shawn Healy, Joe Moss and Nate Jenkins. Extra percussion was added by Mike Steckling, Elkin Garcia and Tim Connelly. Christensen’s string arrangements were played by Dubuque Symphony Orchestra players and the list of horn players is longer than your arm. The long list of backing singers and guest vocalists include the legendary Jim Post, not to mention Dave’s wife Rachel and his son Terrapin. Over the two years of recording, tracks were laid in eight different locations, from Christensen and Steil’s home studios to the Galena Bible Church. Most of the final tracks, including most of the keyboards and vocals, and the mixing was done at Galena’s new M-Studios. A project of this magnitude was not inexpensive. Rome was not built on the cheap either. Over the two-year span of the project, Christensen spent more money on musicians and recording than most people do on a really good used car. But in the end, it’s not about the money. It’s about the music, the journey, working with great musicians who happen to be good friends as well. Christensen, who just moved with his wife and son to Burbank, California, to start a new chapter also looks at it as a document of his time in the the Galena/Dubuque area and the soundtrack of his now five-year-old son Terrapin’s early life. He says when Terrapin sometimes asks, “Why don’t I have any brothers or sisters?” he answers thinking of the the long, slow birth of the family of songs collected on The Bosom and the Pool - “You do.” The Bosom and the Pool is available at www.cdbaby.com and locally at Moon Dog Music in Dubuque and Downtown Discs in Platteville. To learn more about Dave Christensen, visit his website at www.davechristensen-online.com. - Mike Ironside Ironside, Mike (2006, November, 16-29). Dave Christensen - The Bosom and The Pool. Dubuque 365 Ink / 365 Live Music / page 13, Retrieved November 20, 2006, from http://partners.dubuque365.com/ink/365ink.pdf
Chasing a dream GALENA- "It won't hit me until we get out there," he said with a sigh. The sound The teacher Dave studied music at DePaul University for four years and then switched to poetry and English to get "the other side of song writing-the lyrics." The family Rachel is a host on the morning show on Y105, 105.3, KLYV. Follow the Christensen family adventure on www.davechristensen-online.com. "We are realistic optimists," Dave explained that they might as well stay home if they aren't willing to give it their best shot. "We know its not going to be easy out there. But we're excited to give it a try!" Holland, Jane. "Chasing a dream." Chasing A Dream. 25 Oct 2006. The Galena Gazette. 25 Oct 2006 <http://www.galenagazette.com/Main.asp?SectionID=76&SubSectionID=110&ArticleID=9169>.
M-Studios Pro-level Recording Studio Opens in Galena
Grand Opening scheduled for October 22
Area songwriters, musicians and recording artists now have a new, top-of-the-line facility in which to record their next masterpiece with the opening of M-Studios in Galena. A collaboration between studio owner Bill Grundhoefer and recording engineer, musician and songwriter Andy Steil, M-Studios will offer professional recording services in a cutting-edge digital environment...
Having worked on a number of projects prior to the studio’s official opening, including the soon-to-be-released solo CD from Galena musician and songwriter Dave Christensen, Steil is already fulfilling part of the studio’s mission. "The way Andy handles all those different kinds of music is mind boggling," reports Christensen. Joking that he was given the opportunity to work on a variety of musical styles on Christensen’s CD alone, Steil confesses, "I know I should be doing this because I do enjoy all the different varieties of music I get to work with..."
While the studio room is double-walled to eliminate incoming noise, size constraints prevented a similar treatment in the control room. Though they were able to create a space as sonically neutral as possible, it did not completely eliminate the possibility of outside sound intruding on the process. "One day Dave (Christensen) was downstairs recording," relates Steil, "and we heard a huge Harley go by upstairs but it didn’t show up on the recorded track."
Mike Ironside, 365ink, 10/05/06
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